Behringer – MonoPoly 4-voice Analog Synthesizer

The Behringer MonoPoly has four voltage-controlled oscillators (VCOs) for an impossibly rich sound. While many ’70s synths only had two VCOs, having access to three was considered a luxury. The ability to sync and subtly detune oscillators so that they “rubbed” against each other are cornerstone synthesis techniques; having four VCOs to deploy gives you a formidable sonic arsenal to forge a broad range of unique signature sounds.

The Behringer MonoPoly’s pure analog signal path is based on the authentic MonoPoly circuitry as well as other exceptional VCO, VCF (voltage-controlled filter), and VCA (voltage-controlled amplifier) designs from the 1980s. These are the sounds that drove iconic hit records from artists such as Depeche Mode and Vince Clarke. Today, the sounds of the ’80s are alive and well in the Behringer MonoPoly. And they can be yours for a song!

Another singular feature of the Behringer MonoPoly – again, faithful to the original – is its ability to split its four voices. The MonoPoly’s variable architecture allows you to use it in either monophonic or 4-voice “Poly” (paraphonic) mode, in which the four oscillators are allocated to individual notes that are then summed to a shared monophonic signal path. In practice, this gives you a huge amount of musical flexibility. From fat basses and searing leads to jazzy chord voicings, MonoPoly has you covered.

But there’s more! In addition to its four VCOs, MonoPoly is also outfitted with a classic VCF, two LFOs (low-frequency oscillators), two envelopes, sync and cross modulation, and an arpeggiator. It’s all wrapped up in a roadworthy, vintage-inspired chassis with a control panel you can angle to taste, satisfying knobularity for real-time, hands-on tweakery, 37 great-feeling keys, exhaustive professional I/O, and prototypical wooden end caps. Get your hands on the Behringer MonoPoly. Trust us: you won’t want to let go!